西班牙巴塞罗那堤喀公寓
The property occupies an art nouveau building of the Eixample district of Barcelona and was fully renovated by CaSA and Margherita Serboli to become the holiday apartment for an Italian family.The original layout wasted considerable space and was poorly orientated. Its longitudinal distribution, forced by the transversal bearing walls, resulted in many densely separated small spaces, spared along a long corridor that isolated the two ends of the apartment.
The project is the result of a collaboration between CaSA and Architect Margherita Serboli.
The clientʼs brief was used a guideline: their wish was to have three double bedrooms and a home that would highlight and underline the early 1900 detailing of the building, through a design that using a contemporary language.
Spaces and light
The natural light – as usual a fundamental project theme – brought the architects to the complete renovation of the existing arrangement of spaces.
The three bearing walls that previously compressed the fractured layout have been transformed into transversal axes around which the space is organized into different areas.
The first of these axes corresponds to the hall, and it organizes the continuous space between the wide living space and the open kitchen that now occupies the area that was previously a bedroom. A widest day area has been created by opening part of the old corridor to the kitchen-living area, and by doing so allowing the light to flood in, through the dense pattern of treetops.
The block that embodies the two minor bedrooms grows around the second axe. This light pink coloured volume separates the day area from the area ad the inner end of the property, which became the suite.
This master bedroom, previously occupied by kitchen and a studio, forms an open space of almost 20sqm, which includes the bathroom that is separated by a change of floor level. This solution allows making the most of the light coming from the great original window frame that occupies almost all the wall facing the inner courtyard.
Colours and materials
The clientʼs will to retrieve the art nouveau essence has led the project to the restoration of original features while adding new components that could sustain the same language without betraying his own contemporaneity. For this purpose some of
the original features have been rescued, like the original windows woodwork, or the Catalan vaults, previously hidden behind a false ceiling that now expose their original
terracotta finish, typical of the buildingʼs period.
For the same reason it was decided to intervene reinterpreting one of the most characteristic elements of art nouveau apartments in Barcelona: the floors (which in this case had been previously replaced by a synthetic parquet). The hydraulic tile
represents a typical element of this kind of early twentieth century dwelling; It was the customerʼs wish to reintroduce them in this project. The architects have expressly designed a hydraulic tile, using a current format as the hexagonal and contemporary colours.
The neutral coloured tiles traditionally used as a frame to hydraulic tiles have been replaced here by an off-white solid continuous floor, forming the edge to an irregular carpet of colourful geometrical shapes that lead from the entrance to the hall, unifying environments.
In the rest of the apartment, the seamless flooring changes from being a white frame to a continuous satin-finished surface that brings light into the centre of the floor plan. The choice of this floor responded to clientsʼ requests for a high resistance, low
maintenance material.
The palette of materials and colours creates a dialogue thatʼs always different, punctuated by the two volumes that define the project, one in pink paint, the other clad in wood.
A Mediterranean-inspired atmosphere dominates the entire floor with a combination of colours partly suggested by original features - such as the amaranth wooden window frames of the facade - and dominated by white and pastel tones.
The desire to maintain an essential language through light colours, simple shapes and rough materials such as natural wood, responds to the need to highlight the floor and
original elements.
The secondary bedrooms block is shaped as a pink box whose volume is inserted with its tonal load between the white spaces of kitchen/ hallway and a second body, of natural wood.
The colour white prevails inside the pink block and itʼs pink becomes the colour of the original window frames. The exterior green colour of the same windows enters the room through the window shades becoming a further element of colour.
At the end of the corridor, a pine-clad block disguises the general bathroom; this same timber volume becomes the suiteʼs walk in wardrobe - once passed the sliding door thatʼs the suite threshold - and protrudes into the bedroom turning into wooden
nightstands, that double as steps to access the suite bathroom.
The wood clad volume is lined internally with a bright yellow and in parts shelled with mosaic-like white hexagonal tiles. White tubular elements which allow pivoting mirrors
being oriented.
Natural wood also appears from the first elements of the kitchen - the structure of sticks on the wall that forms a small shelves, the front of the kitchen island and the large sliding door that separates the day area from the night one - and returns as storage boxes in the secondary bedrooms, supported by tubular elements in the white racks designed by architects.
In the kitchen an industrial extractor - flush with the ceiling - avoids the volume of the hood above the stove.
As for the furniture project, customers have asked for pieces that would be a consistent with the fresh colour palette, to reaffirm the holiday vocation of the property.
White metal elements and pastel colours were picked, along with a few grey objects, to emphasize even more colours and give life to the environment.
An antique bevelled mirror found in the apartment and an old radio record-player furniture add the human "lived-in" touch to the very contemporary furniture, dissolving it in a warmer atmosphere.
Large paintings by Piero Serboli dominate the living space and the suite, offering a Mediterranean and colourful imagery
房地产占巴塞罗那Eixample区的新艺术建筑，修葺一新的CASA和玛格丽塔serboli成为意大利家庭假日公寓。
原来的布局浪费了相当大的空间，是面向低。其纵向分布，由横向承重墙，导致在许多密集的小空间，不遗余力地沿着一条长长的走廊，孤立的两端的公寓。
该项目是玛格丽塔serboli CASA和建筑师合作的成果。
客户ʼ的简要使用指南：他们的愿望是拥有三间双人卧室和一个家庭将突出和强调早期1900的建筑细节，通过设计，用当代的语言。
空间与光
自然光，像往常一样，一个基本的项目主题，使建筑师们对现有的空间布局进行彻底改造。
三个承重墙，以前压缩的裂缝布局已被转化为横向轴周围的空间被组织成不同的领域。
这些轴的第一个对应的大厅，它组织的空间和开放的厨房，现在占据的面积是以前一个卧室的空间之间的连续空间。一个广阔的天区已对厨房生活区老走廊口部创建的，并通过这样做，让光的洪水，穿过树梢密集模式。
这座体现了2个小卧室的街区在二轴附近生长。这浅粉色的体积将一天的面积与该区域内的广告区隔成一天，这就成了这一套。
这主卧室，厨房和工作室所占据，形成了几乎20平米的开放空间，包括浴室，通过改变层分离。这个解决方案允许从伟大的原始窗口框架中，占据几乎所有的墙壁饰面的内部庭院的光的大部分。
颜色和材料
客户ʼ将检索新艺术本质具有LED项目以恢复原功能，同时增加新的组件，可以维持相同的语言，没有背叛自己的时代性。为了这个目的
原来的功能已被救出，像Windows的原始的木制品，或加泰罗尼亚金库，以前隐藏在假天花板，现在暴露自己的原
赤陶土完成，典型的建筑ʼ时期。
这是决定进行干预，重新在巴塞罗那的一个艺术风格的公寓最特征的元素相同的原因：地板（在这种情况下，先前已由合成地板代替）。液压瓦
代表这种早期第二十世纪住宅典型元素；它的愿望，让他们在这个项目的客户ʼ。建筑师们已经明确地设计了一个液压瓦，使用当前的格式为六角形和当代的颜色。
传统的中性色砖作为一个框架，液压砖已取代这里由一个白色的固体连续层，形成了边缘的彩色几何形状不规则的地毯，导致从入口到大厅，统一的环境。
在公寓的其他部分，无缝的地板从一个白色的框架转变为一个连续的缎面完成的表面，把光的中心的平面图。这种地板的选择ʼ回应客户要求的高电阻，低
养护材料。
材料和颜色的调色板创建一个对话，ʼ总是不同的，被定义的项目的两卷，一个粉红色的油漆，木材中的其他包。
地中海风格的气氛控制着整个地板的颜色组合部分建议由原来的功能，如正面的紫红色木窗框和由白色和柔和的色调为主。
通过浅色的颜色，简单的形状和粗糙的材料，如天然木材，以保持一个基本的语言的愿望，响应的需要，突出地面和
原始元素。
二次卧室块形状为一个粉红色的盒子，其体积是插入厨房/走廊的白色空间和一个二身，天然木材的色调负载。
白色的粉块内普遍存在，ʼ的粉红色变为原来的窗框的颜色。同一窗口的外部绿色的颜色通过窗口的色调进入房间，成为颜色的进一步元素。
在走廊的尽头，一棵松树包块伪装一般浴室；同样的木材量成为套房ʼ走在衣柜一旦通过滑动门的套房
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