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在MIT海登图书馆更新项目中，Kennedy & Violich Architecture将这栋1951年代的战后现代艺术中心改造为一处动态、包容的协作与创新研究中心。方案以“科研的交叉口”为概念，标志着图书馆将成为一处促进交互模拟与数字分析的潜力空间。
The re-design of MIT’s Hayden Library transforms the 1951 modernist repository for post-WWII collections into a dynamic and inclusive learning space for collaboration and innovative research. The ‘Research Crossroads’ concept highlights the potential for new modes of thinking at the intersection of digital and analog collections and analysis.
▼项目概览，overview ©John Horner
庭院两侧，一栋木质和一栋玻璃制的双层扩建空间相对而立，在原有阅览室的基础上增添了不同尺度与比例的体验。
A pair of two-story pavilions—one glass and one wood—introduces a mediating scale into the undifferentiated volume of the original reading room.
▼庭院视角，view in the courtyard ©John Horner
▼相对而立的双层扩建空间，a pair of two-story pavilions ©John Horner
空间的交叉处，新植入的雕塑楼梯与电梯在Z轴上打破了水平的楼板，在不同楼层间建立起竖向联系。
Where the pavilions cross, a new sculptural stair and elevator establish a z-axis, breaking through an existing floor slab to provide direct vertical connection to all levels.
▼图书馆入口，the entrance ©John Horner
▼楼梯创造竖向联系，to provide direct vertical connection to all levels ©John Horner
▼楼梯穿插于水平楼板中，the stairs breaking through an existing floor slab ©John Horner
24小时开放的首层空间包含一个咖啡厅和一处木材与玻璃搭建的多功能空间，为数字合作室、私密学习区与数字工具实验室提供了场地。透明的幕墙、数字屏、可移动家具与白板都旨在鼓励学生们“侵入”图书馆，按照自己的需求配置空间。在现有结构基础上重新设计的二层空间营造出休闲宁静的氛围，使人得以饱览窗外河景与优美的天际线。
The 24-hour accessible ground floor includes a cafe and flexible event space as well as digital collaboration rooms, intimate study spaces and digital tools housed in the glass and wood volumes. Translucent curtains, digital screens, and movable furniture and white boards encourage students to ‘hack’ the library, reconfiguring spaces to fit their needs. The reimagined second floor builds on existing building strengths to create a restful, quiet space with privileged river and skyline views.
▼咖啡厅，courtyard cafe ©John Horner
▼阅览空间，the reading area ©John Horner
▼开放报告厅，open conference hall ©John Horner
▼灵活分隔的学习空间，flexible spaces ©John Horner
▼数字协作空间，digital collaboration rooms ©John Horner
Lipchitz庭院的重新设计解决了长久以来的可达性差与曝晒问题，建立起一处充满活力的中央绿色空间，使图书馆活动也能延伸至这片阴凉、尺度宜人的半室外空间中。庭院四周，茂密的自然植物、弯曲的木质长椅与精心布局的雕塑共同构成了庭院景观。与庭院咖啡厅相连的新三季亭在院落两侧形成了开放可达的回廊。定制的镂空木质天花板不仅有利于声学效果，还在回廊上创造出连绵不断的“连香树荫”。
The redesigned Lipchitz Courtyard—disused for decades due to inaccessibility and exposure — establishes a dynamic central green space and extends library activity out into a shaded and intimately scaled indoor/outdoor space, bounded by natural plantings, curving wood benches and carefully sited sculptures. A new three-season pavilion connects to the Courtyard Café and completes a fully accessible cloister around the courtyard. Custom-milled wood panels incorporate acoustic control and extend the courtyard’s katsura tree canopy patterns across the pavilion ceiling.
▼夜间庭院，night view of courtyard ©John Horner
▼夜景立面，lighting facade ©John Horner
▼轴测图，axonometric © Kennedy & Violich Architecture
▼一层平面图，the first floor plan © Kennedy & Violich Architecture
▼二层平面图，the second floor plan © Kennedy & Violich Architecture
▼南向剖面图，section looking south © Kennedy & Violich Architecture
▼东向剖面图，section looking east © Kennedy & Violich Architecture
Date: 2021 Status: Completed Client: Massachusetts Institute of Technology Location: Cambridge, Massachusetts Design Team: Sheila Kennedy FAIA, Design Principal Frano Violich FAIA, Managing Principal Ned Goodell AIA, Project Architect Ben Widger AIA, Daniel Sebaldt AIA, Nick Johnson, Hannah Liechty, Danniely Staback Rodriguez, Kevin Marblestone, Toshiki Niimi, Lynced Torres, Greta Wong, Jess Jorge, Chris Weaver, Mark Bavoso, Daniel Marshall, Clarence Lee, Julian Geltman Landscape Architects: Stephen Stimson Associates Structural Engineer: Buro Happold Heating, Ventilation & Mechanical Engineers: Buro Happold Building Envelope: Simpson Gumpertz & Heger Lighting Design: Buro Happold Code/Accessibility: Jensen Hughes Sustainability: Thornton Tomasetti Acoustics: Cavanaugh Tocci Associates Audiovisual Design: Communications Design Associates Cost Estimation: Vermeulens Civil Engineering: Haley & Aldrich Inc Photographer: John Horner
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