Art is the harmony with nature, and it can complete the ritual sense of tension without making great efforts. It is the high freedom of life not to be burdened by complicated decorations and limited by forms.
In the planning of space, the performance of the future life picture has already been preset. The footprints of time can be freely expressed wherever they go. Life is pleasant inside, and poetry outside.
The relationship between man and space is empathy and co creation. If you compare home to a miniature map of life, the design only needs to lay a proper background, outline the context of flowing clouds and rivers, and hand over the wisdom of writing to the real life of future people. The simplicity of abundance has become the key word for the gradual expansion of this space, so the form has retreated and the connotation has grown.
In the minimalist background, the construction of the field is pure, and the mood is indifferent to the artistic conception. A large number of blank spaces can be filled with ideals to love. The design focuses on carving the details in the functional area, which can be seen in the big pattern.
Fireworks and living outside do not need too much exaggeration. Poetry, calligraphy, elegance and music are often accompanied. Tea fragrance fills the vegetarian room, indicating the attitude of life. From the ordinary function and aesthetic level, it is sublimated towards a diversified poetic habitat, which opens up the great richness of the spiritual dimension.
The design is structured, reasonable and emotional. Rhythm is generated in a minimalist framework, and every bit of nodes and symbols form a spiritual aspect. At a glance, people with the same frequency can recognize the low-key complex that is not publicized but full of connotation, and the clues that love refined life in their bones.
Rich texture is the language of material aesthetics and also the sketch of emotional perception. The original form of materials is highlighted to the utmost, or rigid and soft collision, or opposite proportion, or static symbiosis... ...
And try new tea with new fire. Shijiu, taking advantage of the time, designed the best sky view of the whole hall to give a tea ceremony an independent seat, and did not forget the warmth of fireworks. The thinking of the relationship between man and nature, man and life, man and self is all completed in this integration.
There should be two "residences" in life, one for experiencing life and the other for tolerance and yearning. The design combines the two sides of life with one mirror to the end.
The relationship between space and space projects the script of people's stories in space and life. A push-pull cabinet door balances the coexistence of art storage and hidden fireworks mode. Opening and closing, each with its own cave, are two masterpieces of life. The transformed Chinese kitchen hides behind the door and is willing to live behind the scenes, transferring the light of the protagonist to the flavor. The addition of island platform and western kitchen greatly enriched the diversified experience of life. A space gives rise to a variety of interests.
There is always a world that irons the stomach and calms the heart. It is a long life philosophy in the bones of Chinese people. Lin Yutang also said that life is made up of ordinary fireworks and trivial things. The warmth of the family sitting around, just a small device to illuminate, will let the fireworks lit poetry. The spiritual belief that resonates with nature, sympathizes with art, and cures is in a mirror to the end, connecting the main line of the whole life.
The intercommunication of different spaces is the convenience principle of the supremacy of function and the tacit understanding of spirit. In a calm atmosphere of empathy, Yueji's freedom extends with different spiritual profiles, keeping a moment's distance from the noise, but never really away from the vitality of life.
Space setting does not aim at modeling, and all hidden variables arise from life. The design attempts to explore and reconstruct the new relationship between people and noisy cities, people and natural life. The master bedroom is not willing to be tranquil and unique, which is deconstructed into multiple life scenes. The cloakroom is a collection of self taste, and also serves as an external demonstration of the value of residents' life. The music of bamboo and silk in the zither area is more inclined to talk with the inner self and become an important private chapter in life.
The secluded study in one side is the ideal standard configuration of the soul core. In the pattern of the master bedroom, enough dimensions have been reserved for this. Through the redistribution of the design pattern, the master bedroom and the yoga area have reached a balance.
Nature and freedom are the dominant ideas. Large floating windows introduce natural sky view and free dance of light and shadow. The refined attitude of abstract art painting and a few brushstrokes of installation breaks the idea of time with the quality of ancient elegance and coming, and grows with nature in this space. Living in a room, my heart has already read all the charm.
The design intends to reduce the proportion of expression in external forms, starting from the simple background of warm life, which is the easiest to remove fatigue and soothe the mood. The polishing of details shows the truth. The scale of lines and blocks, together with the artistic perception derived from the precision of materials, transcends the ordinary style and composes a thought-provoking spatial level.
The consideration of approachability and agreeableness makes the space return to the essence of residence, which is closer to the nature of naturalism. The design changes the living room bathroom into an independent bathroom for the elderly, and the children's room bathroom is both independent and open. The space order, the separation structure and the freedom of independent functions are all pointing to the humanized feelings of "design as human".
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