自1974年投入使用开始，管弦乐队音乐厅在明尼阿波利斯市的文化和市民生活中扮演着绝对活力的角色。最初由Hardy Holzman Pfeiffer设计的音乐厅注重听众的体验；大厅空间是临时设置的，15年后打算被重新替换。但是在39年后，该项目的翻新和扩建才开始动工，该项目设计的焦点主要是提升音乐会爱好者的体验，以及重新激活音乐厅与明尼阿波利斯市的关系。更远大的目标是促进南部市中心区域的转型。一句话，要使新旧关系变得和谐。
From the architect. Since its opening in 1974, Orchestra Hall has played a vibrant role in the cultural and civic life of Minneapolis. The original design by Hardy Holzman Pfeiffer focused on the auditorium experience; the lobby spaces were considered temporary and were to be replaced after 15 years. But it was 39 years before the renovation and expansion project was undertaken, with primary focus on improving the experience for concert-goers and revitalizing the relationship of Orchestra Hall to the City of Minneapolis. A broader objective was to contribute to the transformation of the southern downtown district within the Twin Cities’ cultural community. Harmonizing Old and New.
© Nic Lehoux
© Nic Lehoux
项目的首要任务是将作为1974年最初设计的标志性元素——音乐厅礼堂保留下来，同时重新设计大厅和休息空间。增建的建筑，由石头和玻璃建造，重新加强了音乐厅作为Nicollet购物中心的南面屏障的作用。设计力求达到在Peavey广场将更多的关注落在音乐厅上的目的，并重新组织音乐厅与其城市周边的关系。新建部分在音乐厅原有砖砌鞋盒状的礼堂对面，呈现出一个轻型的、通透的矩形“包装纸”。在建筑两边的11号街和Peavey广场上，置身于扩建部分中人们仍能看到红砖墙和音乐厅的圆角转弯处，在新的整体中突出它的重要地位。
A top priority of the project was to preserve the concert auditorium as the iconic element of the original 1974 design while re-envisioning lobby and amenity areas. The architecture of the additions, constructed of stone and glass, reasserts the presence of Orchestra Hall as the southern anchor of Nicollet Mall. It is designed to give new emphasis to the Hall within Peavey Plaza and to re-engage the Hall with its urban context. The design juxtaposes a light, transparent, rectangular “wrapper” against the Hall’s existing, distinctively angled, brick shoebox auditorium. On both the 11th Street and Peavey Plaza sides of the building, the expansion maintains the views to the red brick walls and the rounded corners of the auditorium, underscoring its prominence within the new ensemble.
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
Floor Plan/平面图
新建筑所体现出来的清新、与时俱进、开放型美学与原始的音乐厅形成一个鲜明的对比，同时也肯定由20世纪一些先锋建筑师设计的现代主义色彩的市中心建筑和公共空间，在现如今仍具有重要地位。扩建部分所使用的外部材料构成了一个城市文脉调色板，这些室外材料包括在建筑上端部分使用阿拉巴马州暗银色石灰岩面板，并覆盖亚光表皮，而在基础部分使用米萨比黑色亚光花岗岩。新建大厅通体透明，从地板到屋顶都使用玻璃墙，展现着室内活动，捕捉到明尼阿波利斯市的天际线，并向周边输入新的能量。11号大街的陡坡被转移到西边，凭借其宽阔的人行道和两侧的树木将Marquette大街连向Nicollet购物中心，将音乐厅纳入到城市肌理中，使街景焕发新的活力。这样设计塑造出一种形象—— Minneapolis是一个适宜步行的国际性城市，音乐厅是一个开放包容的目的地。
The crisp contemporary open aesthetic of the new acts as a counterpoint to the original auditorium while acknowledging the legacy of Minneapolis’ modernist downtown buildings and public spaces, designed by some of the 20th century’s most prominent architects. The expansion introduces a contextual urban palette of exterior materials including Alabama Silver Shadow limestone panels with a honed finish for the upper levels, and Mesabi Black honed granite at the base. Urban Engagement The transparency of the new lobby architecture, with floor-to-ceiling glass walls, showcases the activity within, captures dramatic views of the Minneapolis skyline and infuses new energy into the neighborhood. The 11th Street drop-off has been shifted to the west, revitalizing the streetscape as a tree-lined avenue with a generously-scaled sidewalk that connects Marquette Avenue to Nicollet Mall, and Orchestra Hall to the urban fabric. The effect is to reinforce the international profile of Minneapolis as a walkable city and that of the Hall as an open and welcoming destination.
© Nic Lehoux
音乐厅新入口标明了明尼阿波利斯市过去几十年的发展情况，而此次设计通过交通方式来适应这些变化，这些变化也导致了公众从街区和人行天桥到达音乐厅方式的改变。西边新主入口，称为Nelson入口，最有特色的当属它宽阔的雨篷，让音乐厅为Nicollet购物中心彰显一个更醒目更加引人入胜的形象。Marquette街道上作为紧次于主干道大街的入口欢迎从东部来的人流，包括使用公共运输的人们。顾客通过天桥即目前音乐厅最常用的入口进入室内，但现在也可以有别的选择——一个新而便利的自动扶梯通向建筑的主要楼层。不管建筑内外，都与城市相连。
The new entrances to Orchestra Hall acknowledge Minneapolis’ growth over recent decades and corresponding changes in traffic patterns, which led to changes in the way the public approaches Orchestra Hall at both street and skyway levels. The new principal entrance on the west side, named the Nelson Entrance, is marked by a wide canopy that gives the Hall a bolder, more welcoming image on Nicollet Mall. A secondary street-level entrance on Marquette Avenue welcomes those arriving from the east, including those using public transit. Patrons arriving via the skyway, currently the Hall’s most popular entrance, have the choice of a new, conveniently located escalator to reach the main floor. Connecting with the City, Inside and Out.
© Nic Lehoux
大厅向西面的扩建以一个新的玻璃和石材构筑的房间终结，也被称作目标中庭。这个诱人的多功能集合场所以一个壁炉、大片玻璃墙、滑动的玻璃门、一个室外平台和嘉吉集团为特色，将音乐厅更加显著地引入Peavey广场。
The expansion of the lobby to the west culminates in a new glass and stone room, to be known as Target Atrium. This inviting multipurpose venue features a fireplace, large glass walls, sliding glass doors and an outdoor terrace, the Cargill Commons, bringing Orchestra Hall more prominently into Peavey Plaza.
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
© Nic Lehoux
建筑设计事务所：KPMB Architects
地点：美国 明尼阿波利斯市
项目时间：2015年
摄影：Nic Lehoux
Architects: KPMB Architects
Location: Nicollet Mall, 1111 Nicollet Mall, Minneapolis, MN 55403, USA
Project Year: 2013
Photographs: Nic Lehoux[/td][/tr]
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